Laufey in Norse Mythology: Loki’s Forgotten Mother
In the vast literary tradition of Norse mythology, certain figures stand vividly at the center of myth, such as Odin and Thor.
Others exist only in the margins of ancient texts, appearing briefly but raising profound questions. One such figure is Laufey, the mother of Loki.
Though her presence is limited to genealogical references, the survival of her name in medieval sources reveals important insights into kinship, naming traditions, and mythological identity in the Old Norse world.
This article examines who Laufey was, where she appears in the primary sources, and what modern academic scholarship says about her meaning and significance.
Understanding Laufey offers a rare glimpse into how mythology preserved maternal lineage, even in a cultural system normally dominated by male ancestry.
What is the primary attestation of Laufey in Norse mythology?
The earliest and most authoritative attestation of Laufey appears in medieval Icelandic mythological literature, particularly the Prose Edda and Eddic poetry.
These texts, written in the thirteenth century but preserving far older traditions, provide the only reliable evidence for her existence as a figure from Norse mythology.
In these sources, Laufey is never described through actions or narratives. Instead, she appears solely as part of Loki’s parentage.
In the Prose Edda, written by Snorri Sturluson around 1220, the section Gylfaginning introduces Loki as the son of the giant Fárbauti and Laufey or Nál (Sturluson, 1982, p. 26).
However, this genealogical statement represents the clearest and most definitive reference to her.
The text introduces Loki as the son of these parents without elaborating further on her character, deeds, or personality.
This confirms that her primary mythological function was genealogical rather than narrative.
Similarly, in Eddic poetry preserved in the Poetic Edda, Loki is frequently mentioned by the matronymic Loki Laufeyjarson, meaning “Loki, son of Laufey” (Neckel & Kuhn, 1983, p. 86).
This is highly significant.
In Old Norse naming conventions, individuals were normally identified through patronymics, meaning by their father’s name.
The fact that Loki is referred to instead as Laufeyjarson shows that maternal lineage could carry symbolic importance.
How does Snorri Sturluson introduce Laufey in the Prose Edda?
Snorri Sturluson puts Laufey firmly within the mythological genealogies of the gods. In Gylfaginning, the narrator High introduces Loki as the son of Fárbauti and Laufey or Nál (Sturluson, 1982, p. 26).
This introduction establishes both parents and emphasizes Loki’s dual heritage. For example, his father belongs to the jötun, the giants, while his mother’s status is more ambiguous.
The Prose Edda also preserves important mythological genealogies tracing divine ancestry back to primordial beings such as Ymir and Bergelmir.
Within this framework, the inclusion of Laufey demonstrates how mythology where kinship determines identity preserves both maternal and paternal lineage.
Although she is not described as active in myth, her presence defines Loki’s origin.
Snorri Sturluson also includes Laufey in lists of female divine figures called ásynja, meaning goddess (Faulkes, 1998, p. 157).
This classification suggests that she was regarded as an aesir goddess, or at least associated with the divine community of Asgard.
This inclusion further reinforces her importance as part of divine genealogy rather than as a narrative character.
Why is Loki frequently called Laufeyjarson instead of Fárbautason?
One of the most striking features of the sources is that Loki is frequently mentioned by the matronymic Loki Laufeyjarson instead of by a patronymic derived from his father, Farbauti.
This naming pattern appears repeatedly in Eddic poetry and prose texts.
For example, in Þrymskviða, Loki identifies himself as Loki Laufeyjarson, clearly emphasizing his maternal ancestry (Neckel & Kuhn, 1983, p. 86).
This use of matronymics is unusual in Old Norse culture. Normally, ancestry was reckoned through male ancestry.
Patronymic names such as Fárbautason would have been expected. But the preference for Laufeyjarson instead indicates that Laufey held greater mythological or symbolic importance than Farbauti.
This naming choice may reflect mythological interpretation, suggesting that Loki’s maternal lineage connected him more closely with the aesir gods.
The repeated reference to Loki as Laufey’s son highlights the importance of maternal lineage in shaping identity.
Even though Farbauti means lightning striker, and represents elemental force, Laufey’s name was used to define Loki’s identity within divine society.
What does the name Laufey mean in Old Norse?
The Old Norse name Laufey has long puzzled scholars.
Linguists agree that it is related to lauf, meaning leaf or foliage (de Vries, 1962, p. 371).
This connection suggests that her name may have originally meant “leafy one” or referred to vegetation.
This interpretation aligns with mythological symbolism involving trees and natural forces.
The name structure is also found in female personal names like Bjargey and Þórey, which include the suffix ey, commonly used in female personal names (Simek, 2007, p. 181).
This confirms that Laufey was understood as a feminine name in Old Norse culture.
Some scholars have proposed that Laufey may represent a hypothetical tree-goddess named Lauf-awiaz, meaning the leafy one (de Vries, 1962, p. 371).
While it is of importance to remain cautious with us hypothetical names, this interpretation connects her to symbolic imagery involving lightning hitting the leaves, suggesting mythological imagery of a tree struck by lightning, and metaphorically giving rise to Loki.
Who is Laufey or Nál in the mythological sources?
The Prose Edda explicitly identifies Laufey or Nál as Loki’s mother, presenting both names as referring to the same figure (Sturluson, 1982, p. 26).
The name Nál means needle, and scholars interpret this as referring to slenderness or thinness.
John Lindow explains that Nál is a figure known only through genealogical references, with no independent narrative role (Lindow, 2001, p. 205).
This confirms that she exists purely as a genealogical figure in Norse mythology.
The dual naming may reflect different poetic traditions or symbolic interpretations.
Some scholars suggest that Nál refers metaphorically to the needles of a tree, reinforcing connections to plant imagery and the name Laufey.
Why is Nál described as slender and weak in later tradition?
A later Icelandic text describes Nál as slender and weak, meaning delicate in appearance (Lindow, 2001, p. 205).
This description reflects symbolic interpretation rather than narrative action. The meaning of the name Nál itself supports this interpretation.
Scholars interpret this imagery as reinforcing plant symbolism, connecting her identity to foliage and trees.
This interpretation supports the broader theory that she may represent natural or vegetation-related symbolism.
However, these descriptions remain speculative and secondary to the primary sources.
Is Laufey counted among the Æsir or among the jötnar?
Snorri Sturluson puts Laufey among the ásynja, meaning female divine beings (Faulkes, 1998, p. 157).
This classification suggests she was understood as part of the divine community. This distinguishes her from typical giantess figures such as Angrboda, Loki’s consort and mother of his most famous children.
Her inclusion among the aesir gods helps explain Loki’s acceptance within Asgard despite his giant ancestry.
But what is of importance here is that it is precisely this dual ancestry that reflects the complex relationships between gods and giants in Norse mythology.
What role does maternal lineage play in Norse mythological genealogy?
The use of matronymics such as Laufeyjarson demonstrates the importance of maternal lineage in defining identity.
Although Norse society normally emphasized male ancestry, mythology preserved maternal connections in meaningful ways.
This naming pattern highlights how maternal lineage could carry symbolic authority. Loki’s identification through his mother reflects this tradition.
This demonstrates the complexity of mythological kinship.
Are there parallels between Laufey and figures outside Norse mythology?
Some scholars have proposed connections between Laufey and figures in Finnish mythology, such as Louhi. However, these connections remain speculative and lack definitive linguistic evidence.
Modern scholars treat these comparisons cautiously.
Laufey remains obscure because she serves only as a genealogical figure. She appears only to define Loki’s origin.
Her importance lies in what her name reveals about mythology, identity, and ancestry.
Laufey in Modern Pop Culture: From Ancient Myth to Global Spotlight
While Laufey may be a minor figure in the original medieval sources, her name has become one of the most searched terms in Norse mythology today. This is largely due to her prominent role in modern media, from blockbuster video games and film to the music world.
Laufey in God of War
In Sony Santa Monica’s acclaimed God of War series (2018–present), Laufey is reimagined as “Faye,” a Jötunn warrior of extraordinary power and the wife of the protagonist Kratos. Known in full as Laufey the Just, she is Atreus’s mother, and her influence shapes the entire Norse saga across both God of War (2018) and God of War Ragnarök (2022).
In June 2026, Sony announced God of War: Laufey, a new mainline entry where players take on the role of Faye herself. Set in “The Everywhen,” a divine afterlife where gods from multiple mythologies collide, the game finally tells the story of one of the franchise’s most compelling but unseen characters. Her portrayal as a fierce, independent warrior-mother represents a dramatic expansion of the shadowy genealogical figure found in the Prose Edda. For a detailed comparison of what the games get right and what they change, see our companion article: Laufey in God of War vs. Norse Mythology.
The game’s depiction draws on authentic mythological elements. Laufey’s identity as a Jötunn (giant), her connection to Loki (Atreus), and the theme of navigating the Norse afterlife all find roots in the original sources, even as the narrative takes creative liberties.
Laufey in Marvel and the MCU
Marvel Comics and the Marvel Cinematic Universe have also reshaped public awareness of Laufey, though in a notably different way. In this adaptation, Laufey is depicted as the father of Loki and king of the Frost Giants, reversing the gender of the original mythological figure. In Thor (2011), Laufey was portrayed by actor Colm Feore as a fearsome antagonist.
This gender reversal has led to widespread confusion, with many modern audiences assuming Laufey was male. The original Norse sources are clear: Laufey is female, and it is precisely her maternal connection to Loki the shapeshifter that makes the matronymic “Laufeyjarson” so significant.
Laufey the Singer
Icelandic-Chinese singer Laufey Lín Bing Jónsdóttir, known professionally as Laufey, has also brought renewed attention to the mythological name. A two-time Grammy winner whose music blends jazz, classical, and pop, the singer has spoken about her Icelandic heritage and the cultural significance of her name. Her global popularity has introduced millions of fans to the name Laufey, often prompting them to explore its mythological origins.
Between the God of War franchise, Marvel’s Loki, and the singer’s rise, the name Laufey has become a cultural bridge connecting ancient Norse mythology with contemporary storytelling. Each interpretation reveals how mythological figures, even those preserved only in genealogical fragments, can take on new life and meaning across centuries.
Frequently Asked Questions About Laufey
Is Laufey a goddess or a giant in Norse mythology?
According to Snorri Sturluson’s Prose Edda, Laufey is listed among the ásynjar (goddesses), placing her within the divine community of the Æsir. However, her husband Fárbauti is a Jötunn (giant), and her son Loki and his children straddle both worlds. This ambiguity reflects the complex, fluid boundaries between gods and giants throughout Norse mythology.
Why is Loki called Laufeyson instead of using his father’s name?
In Old Norse culture, individuals were normally identified through patronymics (their father’s name). The consistent use of the matronymic “Laufeyjarson” for Loki is highly unusual and suggests that Laufey held greater mythological or symbolic importance than his father Fárbauti. Some scholars believe this reflects her divine status among the Æsir.
Who is Laufey in God of War?
In the God of War video game series, Laufey is reimagined as “Faye,” a powerful Jötunn warrior, wife of Kratos, and mother of Atreus (who is revealed to be Loki). In the 2026 announcement of God of War: Laufey, she becomes the playable protagonist for the first time, exploring a divine afterlife called “The Everywhen.”
Is the singer Laufey named after Norse mythology?
Yes. Icelandic-Chinese singer Laufey Lín Bing Jónsdóttir carries the name as part of her Icelandic heritage. In Iceland, mythological names remain common, and Laufey is a traditional female name derived directly from the Norse mythological figure described in the Eddas.
What does the name Laufey mean?
The name Laufey is generally understood to derive from the Old Norse word lauf, meaning “leaf” or “foliage,” combined with the feminine name suffix -ey. Some scholars interpret the name as “the leafy one” and connect it to a hypothetical tree-goddess figure. Her alternate name, Nál, means “needle,” possibly referring to pine needles, reinforcing the plant and tree symbolism.
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References
Sturluson, Snorri. (1998).
Edda: Skáldskaparmál. Edited by Anthony Faulkes. Viking Society for Northern Research.
Sturluson, Snorri. (1982).
Edda: Prologue and Gylfaginning. Edited by Anthony Faulkes.
Neckel, Gustav & Kuhn, Hans. (1983).
Edda: Die Lieder des Codex Regius. Heidelberg: Winter.
Lindow, John. (2001).
Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs. Oxford University Press.
de Vries, Jan. (1962).
Altnordisches etymologisches Wörterbuch. Leiden: Brill.
Simek, Rudolf. (2007).
Dictionary of Northern Mythology. D.S. Brewer.
