February 18, 2026 8:37 pm

In the vast literary tradition of Norse mythology, certain figures stand vividly at the center of myth, such as Odin and Thor.

Others exist only in the margins of ancient texts, appearing briefly but raising profound questions. One such figure is Laufey, the mother of Loki.

Though her presence is limited to genealogical references, the survival of her name in medieval sources reveals important insights into kinship, naming traditions, and mythological identity in the Old Norse world.

This article examines who Laufey was, where she appears in the primary sources, and what modern academic scholarship says about her meaning and significance.

Understanding Laufey offers a rare glimpse into how mythology preserved maternal lineage, even in a cultural system normally dominated by male ancestry.



What is the primary attestation of Laufey in Norse mythology?

The earliest and most authoritative attestation of Laufey appears in medieval Icelandic mythological literature, particularly the Prose Edda and Eddic poetry.

These texts, written in the thirteenth century but preserving far older traditions, provide the only reliable evidence for her existence as a figure from Norse mythology.

In these sources, Laufey is never described through actions or narratives. Instead, she appears solely as part of Loki’s parentage.

In the Prose Edda, written by Snorri Sturluson around 1220, the section Gylfaginning introduces Loki as the son of the giant Fárbauti and Laufey or Nál (Sturluson, 1982, p. 26).

However, this genealogical statement represents the clearest and most definitive reference to her.

The text introduces Loki as the son of these parents without elaborating further on her character, deeds, or personality.

This confirms that her primary mythological function was genealogical rather than narrative.

Similarly, in Eddic poetry preserved in the Poetic Edda, Loki is frequently mentioned by the matronymic Loki Laufeyjarson, meaning “Loki, son of Laufey” (Neckel & Kuhn, 1983, p. 86).

This is highly significant.

In Old Norse naming conventions, individuals were normally identified through patronymics, meaning by their father’s name.

The fact that Loki is referred to instead as Laufeyjarson shows that maternal lineage could carry symbolic importance.

Laufey in Norse Mythology

How does Snorri Sturluson introduce Laufey in the Prose Edda?

Snorri Sturluson puts Laufey firmly within the mythological genealogies of the gods. In Gylfaginning, the narrator High introduces Loki as the son of Fárbauti and Laufey or Nál (Sturluson, 1982, p. 26).

This introduction establishes both parents and emphasizes Loki’s dual heritage. For example, his father belongs to the jötun, the giants, while his mother’s status is more ambiguous.

The Prose Edda also preserves important mythological genealogies tracing divine ancestry back to primordial beings such as Ymir and Bergelmir.

Within this framework, the inclusion of Laufey demonstrates how mythology where kinship determines identity preserves both maternal and paternal lineage.

Although she is not described as active in myth, her presence defines Loki’s origin.

Snorri Sturluson also includes Laufey in lists of female divine figures called ásynja, meaning goddess (Faulkes, 1998, p. 157).

This classification suggests that she was regarded as an aesir goddess, or at least associated with the divine community of Asgard.

This inclusion further reinforces her importance as part of divine genealogy rather than as a narrative character.


Why is Loki frequently called Laufeyjarson instead of Fárbautason?

One of the most striking features of the sources is that Loki is frequently mentioned by the matronymic Loki Laufeyjarson instead of by a patronymic derived from his father, Farbauti.

This naming pattern appears repeatedly in Eddic poetry and prose texts.

For example, in Þrymskviða, Loki identifies himself as Loki Laufeyjarson, clearly emphasizing his maternal ancestry (Neckel & Kuhn, 1983, p. 86).

This use of matronymics is unusual in Old Norse culture. Normally, ancestry was reckoned through male ancestry.

Patronymic names such as Fárbautason would have been expected. But the preference for Laufeyjarson instead indicates that Laufey held greater mythological or symbolic importance than Farbauti.

This naming choice may reflect mythological interpretation, suggesting that Loki’s maternal lineage connected him more closely with the aesir gods.

The repeated reference to Loki as Laufey’s son highlights the importance of maternal lineage in shaping identity.

Even though Farbauti means lightning striker, and represents elemental force, Laufey’s name was used to define Loki’s identity within divine society.


What does the name Laufey mean in Old Norse?

The Old Norse name Laufey has long puzzled scholars.

Linguists agree that it is related to lauf, meaning leaf or foliage (de Vries, 1962, p. 371).

This connection suggests that her name may have originally meant “leafy one” or referred to vegetation.

This interpretation aligns with mythological symbolism involving trees and natural forces.

The name structure is also found in female personal names like Bjargey and Þórey, which include the suffix ey, commonly used in female personal names (Simek, 2007, p. 181).

This confirms that Laufey was understood as a feminine name in Old Norse culture.

Some scholars have proposed that Laufey may represent a hypothetical tree-goddess named Lauf-awiaz, meaning the leafy one (de Vries, 1962, p. 371).

While it is of importance to remain cautious with us hypothetical names, this interpretation connects her to symbolic imagery involving lightning hitting the leaves, suggesting mythological imagery of a tree struck by lightning, and metaphorically giving rise to Loki.

Laufey in Norse Mythology

Who is Laufey or Nál in the mythological sources?

The Prose Edda explicitly identifies Laufey or Nál as Loki’s mother, presenting both names as referring to the same figure (Sturluson, 1982, p. 26).

The name Nál means needle, and scholars interpret this as referring to slenderness or thinness.

John Lindow explains that Nál is a figure known only through genealogical references, with no independent narrative role (Lindow, 2001, p. 205).

This confirms that she exists purely as a genealogical figure in Norse mythology.

The dual naming may reflect different poetic traditions or symbolic interpretations.

Some scholars suggest that Nál refers metaphorically to the needles of a tree, reinforcing connections to plant imagery and the name Laufey.


Why is Nál described as slender and weak in later tradition?

A later Icelandic text describes Nál as slender and weak, meaning delicate in appearance (Lindow, 2001, p. 205).

This description reflects symbolic interpretation rather than narrative action. The meaning of the name Nál itself supports this interpretation.

Scholars interpret this imagery as reinforcing plant symbolism, connecting her identity to foliage and trees.

This interpretation supports the broader theory that she may represent natural or vegetation-related symbolism.

However, these descriptions remain speculative and secondary to the primary sources.

Laufey in Norse Mythology

Is Laufey counted among the Æsir or among the jötnar?

Snorri Sturluson puts Laufey among the ásynja, meaning female divine beings (Faulkes, 1998, p. 157).

This classification suggests she was understood as part of the divine community. This distinguishes her from typical giantess figures such as Angrboda, Loki’s consort.

Her inclusion among the aesir gods helps explain Loki’s acceptance within Asgard despite his giant ancestry.

But what is of importance here is that it is precisely this dual ancestry that reflects the complex relationships between gods and giants in Norse mythology.


What role does maternal lineage play in Norse mythological genealogy?

The use of matronymics such as Laufeyjarson demonstrates the importance of maternal lineage in defining identity.

Although Norse society normally emphasized male ancestry, mythology preserved maternal connections in meaningful ways.

This naming pattern highlights how maternal lineage could carry symbolic authority. Loki’s identification through his mother reflects this tradition.

This demonstrates the complexity of mythological kinship.


Are there parallels between Laufey and figures outside Norse mythology?

Some scholars have proposed connections between Laufey and figures in Finnish mythology, such as Louhi. However, these connections remain speculative and lack definitive linguistic evidence.

Modern scholars treat these comparisons cautiously.

Laufey remains obscure because she serves only as a genealogical figure. She appears only to define Loki’s origin.

Her importance lies in what her name reveals about mythology, identity, and ancestry.

References

Sturluson, Snorri. (1998).
Edda: Skáldskaparmál. Edited by Anthony Faulkes. Viking Society for Northern Research.

Sturluson, Snorri. (1982).
Edda: Prologue and Gylfaginning. Edited by Anthony Faulkes.

Neckel, Gustav & Kuhn, Hans. (1983).
Edda: Die Lieder des Codex Regius. Heidelberg: Winter.

Lindow, John. (2001).
Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs. Oxford University Press.

de Vries, Jan. (1962).
Altnordisches etymologisches Wörterbuch. Leiden: Brill.

Simek, Rudolf. (2007).
Dictionary of Northern Mythology. D.S. Brewer.

994 Posts
25.4K Followers

Pagan, Viking, Witchy Jewelry

ᛉ 100% handcrafted artisan pagan , viking, witchcraft and shamanic inspired jewelry.
ᛉ Runes, Symbolism & European Folklore
Get 20% off👇🏻

Leave a comment with your result ❤️
Bavarian Folklore says that you might just cross paths with a Wolpertinger in the alpine forest.

The forest animal of all animals – a representation of all, or Urviech in German.The Wolpertinger is a rabbit with fangs, wings and antlers.

Come to my neck of the woods and you might just catch one! ❤️
Buy Now
🐇🌲✨
He finally stepped out of the forest…

The Wolpertinger Pendant has arrived. 

Inspired by old Bavarian tales of the antlered hare who moves silently through shadow and moss, this piece carries a little wild magic wherever it goes. 

Strange, story-filled, and made for those who feel at home in myth and woodland twilight.
Buy Now
I really like the star ring in brass, suits it so well ☺️

I showed the casting process in my stories yesterday, if you were interested in seeing.

Shown here are a few other items I’m preparing to pack up for shipping this morning.
Buy Now
It’s getting to be about that time again 💜
Buy Now
Make some raven rings with me ❤️
Buy Now
A couple pendants shipping this morning ❤️

Sköll & Hati + Acorn with Eihwaz Rune
Buy Now
I don’t often sell them, but love it when I do!

Vinca symbol bracelets ❤️

And a custom rune inscription bracelet.
Rooted in strength + guarded by ravens
The serpent waits 🖤

(Handcrafted Jörmungandr ring made to order in my shop)
Stay warm, everyone ❤️
😑😑😑🤮
I thought I had closed the book on the Alice in Wonderland rings…

But you kept asking for more, so here they are.

Which one is your favorite??
Can this be over now, please?
In case you forgot 💜
5,445 days in, and I’m still doing the same thing.

Taking old stories and trying to give them weight.

Some days it works.
Some days it fights back.
Either way, this is the work. 🖤
Buy Now
Something I’ve been thinking about lately.

If there’s one thing I would’ve done differently early on, it’s this:

I would have invested in casting equipment much sooner.

When I started out in 2011, I spent years learning as many jewelry techniques as possible. 

And I don’t regret that, I loved it. 

It taught me patience, problem-solving, and respect for the process.

But casting was how I first learned jewelry back in a high school metals class in 1999/2000. 

If I’d trusted that foundation earlier and leaned into it, it would have saved me a lot of years of circling, experimenting, and hitting the same limits over and over.

The journey was wrong, just longer than it needed to be.

Every piece I make now carries all of that with it. 

The learning, the detours, the slow build.

Just something I wanted to share, artist to artist. 🖤
This year, we’re not buying things just to keep up.

If you need the reminder:

✔️ You don’t need what’s trending
✔️ You don’t need to explain your symbols
✔️ What you choose to wear can mean something

Which one of these are you carrying into 2026? 🖤
My husband is from Bavaria (southern Germany) and I originally made this Krampus pendant for him.

The Krampusnacht traditions belong to his culture, and it was so important to me to really bring this pendant alive and make it as accurate as possible.

When I added him to my shop, I couldn’t believe how many of you loved him as much as I do!

He’s super-small lost wax cast in my home studio (only 3 at a time).
Some of the items I’m shipping out today ❤️

Please forgive my dirty nails 😂
I just got done polishing and it was either film now or not at all.
A few items shipping out today 🥰
This mornings rings shipping out ❤️
A few of the rjngs I’m shipping out this morning ❤️

How do you like the Freya ring in copper?
Krampus is coming 🫶🏻
Getting ready to pack up these pretties and ship to their owners ❤️
Freya, cats and pentacles. Doesn’t get any better ❤️
You all got me going crazy making all these fairytale + storybook rings.

But I’ll keep them coming ❤️
Just launched these pretties ❤️

Size 9 amethyst ring + size 7.25 green kyanite
What would you trade to learn Baba Yaga’s secrets?
It *finally* looks, feels and smells like October!

And here are some items I’m packing up to ship to their new owners this morning 🎃
This mornings pretties getting ready to ship :)
Getting ready to pack up these pretties and ship to their owners ❤️
You bet I’m hopping on this trend 😂

Thank you @shes_sinister for the prompt!
While I welcome the seasonal darkness…it sure is going to make my morning quick videos before I pack up orders very difficult.

So, cheers to what’s left of daylight ❤️
Finally finished the rings I’ve been working on in my stories ❤️

I think I want to keep the amethyst one 🥰
Was going to post this update to my stories but it’s too long.
“How do you know I’m mad?” said Alice.

“You must be,” said the Cat, “or you wouldn’t have come here.”
Some of this mornings orders getting ready to ship. Those little bats are so cute ❤️
Here is the finished ring I was working on in my stories yesterday, along with some other treasures shipping out this morning ❤️
A few of today’s orders shipping out this morning ❤️
The two silver raven rings I was working on in my stories yesterday.

…as well as the star / pentacle rings that I’ve just added to my shop ✨
Eeeek! I’m so happy to add these to my shop ❤️

I’ve gotten so many requests for other fairy tales since I made the red riding hood ring, so here are some more.

I do hope you love them 🥰

If you’d like to have any, check my stories today.
I had 6 clamshells ready to ship this morning but I dropped and lost my last labradorite cabochon 🙄😫

Woe is me. 

But damn I love these little clamshell labradorite + Vegvisir lockets…
Not the story you were told.

The girl didn’t run.
The wolf didn’t win.
This is the version they tried to forget.

🖤 Now in the shop: the Red Riding Hood witchy ring.
I love these raven rings so much 🖤

This mornings pretties shipping out. 

All items handmade by me to order for you 😉
Sleek + minimal Mjölnir ring ⚒️
Today’s orders getting ready to ship.

…And I finally got some time to work on a ring for myself! What an accomplishment 😂

I’ll post that when it’s done. If it works out, that is.
That ant ring is so out of place 😂

Not that the mail is coming today, but here are this mornings orders I’m packing up to ship 😉
If you had this, which runes would you choose? Or would you accept the runes that chose you?
I love making these fun Halloween coffin pendants 🎃

All items you see are always available and handmade by myself to order ❤️

About the author Jacqueline Fatica

 The Wicked Griffin is my heartfelt venture, where I pour my creativity into crafting jewelry that not only stands out but also embodies the essence of nature, the allure of Runes, and the profound narratives of European history.


Every piece is designed to be a symbol of personal expression, carefully woven with my passion for the natural world and a unique artistic vision.


Additionally, the Wicked Griffin blog is a cherished space where I share the enchanting inspirations behind the jewelry and the captivating myths from European folklore, inviting you into a realm where artistry and legend converge.


👉 I don't mind usage of my images so long as credit to The Wicked Griffin is given and provide links when possible 😉


More About Me

Contact Me